Crafted Hardwoods

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Through science and engineering, our technology has pioneered the process of turning juvenile, low-value pulp resources into premium hardwoods with the look, feel and properties of 100-year-old trees.

15/10/2026

There’s only one place in Australia where solid timber starts this thin 😉

Layer upon layer of veneer rebuilt into one solid piece, with no composite core hiding inside. It’s solid engineered hardwood, and once it’s on the bench, it works like any other hardwood. 🪵

Right now, a group is walking through our Adelaide factory watching it happen. 👀

Missed it? We’re opening the doors one last time this Saturday for Adelaide Design Week. Come see the whole thing for yourself before it’s back to business as usual.

Spots are limited, link in bio.

12/10/2026

Last call for the hi-vis carpet. 🦺

Seen this already? Here’s your friendly reminder. New to it? Perfect timing, because our factory tours are on THIS WEEK for .

For the first time, we’re opening the doors so you can see the only process of its kind in Australia up close. It’s a rare look at what goes on before our timber reaches a home or a building.

Whether you build, design, make or are just curious, you’re welcome.

Thursday 15 and Saturday 17 October
12pm-1.30pm
North Plympton, Adelaide

The tours are free, but the numbers are limited. Registration essential via link in bio.

Thanks to our friends Sustainable Builders Alliance for helping spread the word.

See you on the floor! 😉

Come meet the humans and robots behind our material.This Adelaide Design Week, the factory doors are open to the public ...
06/10/2026

Come meet the humans and robots behind our material.

This Adelaide Design Week, the factory doors are open to the public for the first time, so we’re rolling out the hi-vis carpet. 🦺😉

Come round on Thursday 15 or Saturday 17 October. Bring your questions, your curiosity and a closed-toe pair of shoes. We’ll sort the rest. (Oh! and bring someone that needs to see it too!)

We’re keeping groups small so everyone can hear, ask questions and see the material properly. Register early to save your spot.

Details:
15 and 17 Oct 2026
12pm-1.30pm
North Plympton, Adelaide

Free, but registration essential via link in bio.

See you on the floor!

Adelaide Design Week

No build or reno on the horizon? You can still get your hands on our timber. 😉A growing list of makers are already turni...
16/09/2026

No build or reno on the horizon?
You can still get your hands on our timber. 😉

A growing list of makers are already turning it into things you can bring home. 👌

Every person on this list shapes our material into something completely their own. Backing them means backing Australian design and local manufacturing, one order at a time.

Something here catch your eye? Skip the middle step and go straight to them. Handles below, or find the full crew on our Makers page.

01 Conrad-S
02 Hamish Anderson
03 Christian Klopfer
04 Jem Selig Freeman
05 Locki Humphrey
06 Mark Tuckey
07 Rolf Barfoed
08 So Watt

📸 1st tile: Conrad-S

Some tributes get a plaque, this one got a tree. The Foundation Tree stands in Aurecon’s Docklands office, built to hono...
03/09/2026

Some tributes get a plaque, this one got a tree.

The Foundation Tree stands in Aurecon’s Docklands office, built to honour their late colleague Jeffrey Robinson and the values he worked by: collective ambition, sustainable innovation, and partnerships that outlast the project that started them.

The timber is our Tasmanian Oak. Not the select-grade logs you’d expect behind something this precise, but the resources that usually get passed over.

Researchers at Melbourne School of Design worked with Aurecon’s engineers to find the form through computational design, tension cable form-finding and a lot of iterative testing. Charles Sandford took the geometry and made it buildable.

97 components, each machined in two halves on a 5-axis CNC, joined with timber dowels and a magnet-driven connection system, with custom jigs built just to hold everything in position while it went together. A closed-loop branching structure gives you nowhere to absorb a stray millimetre, so every piece had to match the digital model exactly.

The form arrived there through the same principles a tree grows by: efficiency, structural optimisation, adaptability, and letting the material show what it can do.

The Foundation Tree has recently been shortlisted in the Australian Certified Timber category at the 27th ATDA - 2026 AWARDS GALA OCTOBER Awards.

Congratulations to the whole team, and good luck. 👏

📸 Djordje Stojanovic
Client: Aurecon
Design & research: Melbourne School of Design
Fabrication: Charles Sandford Paul Bianchini
Modelling and coding:

Three years in. We didn’t think we’d be here yet, talking Green Star scores. But here we are. 🥳The Green Building Counci...
19/08/2026

Three years in. We didn’t think we’d be here yet, talking Green Star scores. But here we are. 🥳

The Green Building Council Aus is pushing the industry toward materials that are transparent, lower-impact, and properly accounted for, and that’s exactly the territory we live in. So when Green Star Fitouts v1 started scoring products on how much responsibility sits behind them, we found out we were already there 😎

Chain of Custody + Declare Label + Product Carbon Footprint. It’s the kind of paperwork that takes years to build and we’re proud to have done the work!

Our timber lands well above best practice under GBCA’s Responsible Products Framework, and that’s not a number we’re going to keep quiet about. 😅

Full guidance on where we fit, credit by credit, is on the blog. Link in bio.

This is our timber, hard at it. No filter, no styling. Just trades doing what they do best. 👌Internal linings. Window fr...
13/08/2026

This is our timber, hard at it. No filter, no styling. Just trades doing what they do best. 👌

Internal linings. Window frames. A pivot front door. A ladder prototype. A run of joinery at the The University of Melbourne. Posts and beams for ALPHA60. Shelving and joinery for aesopaustralia. Timber, everywhere you look, at AfterMath.

Different trades, same material, in hands that know exactly what they’re doing.

Not sure if we’re the right material for your next job?

From a single shelf to a full fitout, from commercial to resi, decorative to structural. Whatever you’re thinking next, there’s a decent chance our material’s already done it.

Send us a message, we’re easy to talk to. 😉

We’ll deny it if asked officially. But yeah, we’ve got a favourite. 🙄
04/08/2026

We’ll deny it if asked officially. But yeah, we’ve got a favourite. 🙄

This was plan B. 😅Throwback to MDW 2026: Jon Goulder and Henry Williams came to Chapter House with a plan to hang massiv...
29/07/2026

This was plan B. 😅

Throwback to MDW 2026: Jon Goulder and Henry Williams came to Chapter House with a plan to hang massive parabolic sculptures through the ceiling.

Heritage said absolutely not (rude, but fair 🙃).

What they built instead is the kind of scale hardwood almost never gets asked to perform at, and we got to be part of it.

None of this could have happened without the trust these two put in our material. They saw what the material could do and pushed it further than anyone had. Jon Goulder Henry Williams Studio 🙌

The full feature, with a lot more from Jon and Henry, is live on Australian Design Review now.

Link in bio, it’s worth the read.

📸Jonathan VDK, Eugene Hyland, we owe you more than a caption credit for these. Consider this a start.

This is the cross-section of our material. Three hundred-odd veneers, stacked and pressed under enormous force to form a...
21/07/2026

This is the cross-section of our material. Three hundred-odd veneers, stacked and pressed under enormous force to form a single, solid billet.

Under that kind of pressure, timber doesn’t hold still. It ripples. Every sheet bends a little differently, some more than others, none of them the same twice.

That’s what you’re seeing in this end grain. Not a pattern we designed, but a record of hundreds of small, natural shifts, each layer curving exactly where it needed to.

What comes out is a material that’s engineered for consistency but still entirely its own. 👌🏼

Want to see what this looks like machined into an actual project? Gallery’s linked in bio.

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Canberra, ACT
2612

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